Forward-thinking Australian DJ and producer Hydraulix is pleased to present his innovative debut album Imposter Syndrome, a versatile mélange of freeform bass hybrids, drum and bass, dubstep, rap, hip-hop, pop, and trap. The 20-track LP arrives after a string of highly-regarded lead singles: “Waratah” with Nitti Gritti, “Another Minute” ft. Muchi, “Concrete” ft. Jasiah, “Wish I’d Never Met You” with Veronica Bravo, and “Wrench” with Doctor P. A product of lockdown-induced insecurity and feelings of self-doubt, Imposter Syndrome sees Hydraulix tackle his inner demons by creating his most sonically captivating body of work yet. Imposter Syndrome is available to stream now via WAKAAN.
Hydraulix is no stranger to WAKAAN, Liquid Stranger’s esteemed label. Following the release of his 2019 Space Cadet EP – his official label debut – he became a fixture on the beloved imprint, churning out groundbreaking singles such as “Let Em Drip,” and landing top billing spots on numerous WAKAAN festival stage takeovers. In early 2020, he was riding the momentum of his debut U.S. tour before being stopped in his tracks by the onset of the global pandemic. Forced to return home to his native city of Melbourne and into a strict lockdown, the distraction and adrenaline that came from his fast-paced lifestyle quickly slipped into a slow-burning comedown.
“One thing that I’ve always struggled with is the feeling of not knowing what I was doing most of the time or not deserving my success and accomplishments,” Hydraulix explains. With newfound time to reflect on his career, he was met with an emotional epiphany that doubled as the main inspiration behind his debut album. “When COVID hit last year, everything changed for me; my US tour got cut short and I go back home [to Australia] and straight into lockdown. After facing the reality of things, I realised I had been dealing with a case of ‘imposter syndrome’ for quite some time,” Hydraulix notes. “It was a tricky time and I wanted to push myself to create something that truly tested me and my production skills. The concept of ‘Imposter Syndrome’ really hit home for me, and I knew it would be a fitting title for the album.”